Microphones

All Gear comes in Hard cases  
The Sennheiser Evolution G2 wireless microphone Dual Basic kits are exclusive to B&H customers and configured to deliver everything necessary for dual wireless microphone operation on location film shoots, video shoots, Electronic-News-Gathering (ENG) and field production. The system is packaged with (2) Sennheiser G2 series camera mount receivers, (2) Sennheiser G2 series belt-pack transmitters, Sennheiser G2 series plug-in transmitter, professional ENG handheld microphone, lavalier microphones, plug-in transmitter holster, shoe mount extender, and rugged storage case.



The Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals. The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone, maximizing pickup at the front. The result is a focused pickup in highly ambient environments. A wide 40-20,000Hz frequency response provides detailed, accurate signal reproduction. The ME66 capsule takes advantage of the K6 modular power supply. The K6 houses a standard AA alkaline battery and is also capable of accepting phantom power from outside sources. Its compact design allows mounting to video cameras. The ME66 is at home in event videography, ENG / EFP use, video depositions, corporate media applications and film. 
The VideoMic Booming Kit is a B&H Kit providing an attractively priced microphone booming solution that will appeal to the new breed of "DSLR" videographer who is working with dual audio recording systems. The VideoMic from Rode is a well respected directional condenser shotgun microphone with an integrated shock mount that can easily attach to the MicroBoom boom pole from the same company. 

A 10 foot stereo mini extension cable provides enough length to reach from the microphone to a recorder that takes a stereo mini input when the boom pole is fully extended to over 6 feet.





 The Azden FMX-42a is a portable 4-channel audio mixer designed for professional and semi-professional field audio capturing. The FMX-42a features 4 balanced 3-pin XLR microphone inputs with individually switched +48VDC phantom power. A pair of balanced XLR outputs provide line or mic level (switchable) signal to cameras, recorders, etc.



Additional features include a switchable input limiter to reduce the possibility of overload distortion, Left/Center/Right pan switches on all input channels and enhanced circuitry for improved signal-to-noise ratio. A 10-pin camera return is also provided. Overall, the Azden FMX-42a proves to be an affordable field mixing solution for event videos, ENG/EFP applications, documentaries, and more.




Balanced Mic Inputs
The FMX-42a features 4 XLR microphone inputs. The balanced inputs deliver high gain and low noise floor
VU Meters
Dual analog meters provide a comprehensive read on audio level
Balanced Line or Mic Level Outputs
Dual balanced line or mic level switchable outputs via XLR male connectors provide balanced audio signal to inputs on cameras and additional mixers
2-Channel Addressable Outputs
Incoming signal from either channel can be assigned to either left or right outputs if signal isolation is desired
Input Limiters
Both inputs feature high quality switchable limiters. The limiters protect against peak distortion due to overload
Camera Return
A 10-pin camera return is provided for video applications



A four channel field mixer will give you more control will shooting on the go.  
Package dose not include boom pole, or
miniature guy in the photo!!